Soulless plays on the desire to be seen and the need to subvert and retreat. Inspired by the logics of mime and slapstick, Tenenbaum approaches her body through the concept of plasticity. Woven together with Hendrik Willekens’ music, movement undergoes perpetual change in shape and volume and in proximity and estrangement from itself, reaching an awkward flow. Soulless is simultaneously invested in the physical pain of the real and in the theatrical world of make-believe.